Irene Campolmi is a curator and a researcher with thirteen years of professional experience working with international and Danish art institutions. Currently, she covers the role of Senior Curator at KØS- The National Museum of Art in Public Spaces of Denmark. In 2021, she won the prestigious curatorial award-Bikuben Foundation’s Vision Exhibition Awardtogether with Copenhagen Contemporary (CC) for the project ‘Yet, it Moves!’, and she worked as lead curator of the project until August 2023, developing an extensive show and a public program both at CC and and in several Copenhagen’s urban area.
        Since 2019, Campolmi has also been Head of the Art Program and Curator at Enter Art Fair, a not for profit satellite live program of performances, talks and new art commissions. Between 2021 and 2023, she was a guest curator at international art museums and festivals across the world, including TANK Museum of Contemporary Art in Shanghai; Mattress Factory in Pittsburgh, Musée d’art de Joliette, The Power Plant in Toronto, Plug In ICA in Winnipeg and Musée d’art contemporain de Baie-Saint-Paul; Museum of Art Architecture and Technology in Lisbon, Walk&Talk in San Miguel, Azores Islands among others. In Copenhagen, Campolmi has collaborated with Kunsthal Charlottenborg for three major group and solo exhibitions in 2018, 2019 and 2023, and in 2019 she has curated Wu Tsang show at Copenhagen Contemporary. In 2021, she covered the role of senior curator in the art agency Creator Projects, and in this connection, co-curated the performance festival ‘Art In A Day’.
        In 2019, she co-curated the Estonian Pavilion presenting the work of Kris Lemsalu. Since 2020, she is faculty in the MA for Curatorial Studies at IED - European Institute for Design and Art.
        Campolmi holds an MA in Art History and Museology from the University of Florence and has worked as a researcher in the Max Planck Institute.

Genevieve Barton is a curator, researcher and writer based in London. She is currently Assistant Curator, International Art at Tate Modern where she manages a diverse portfolio of temporary large-scale exhibitions and collection displays. She is responsible for developing the museum’s collection and broadening the representation of artists from Europe and the international diaspora based in Europe. Recent projects include A World in Common: Contemporary African Photography (2023), Expressionists: Kandinsky, Münter and The Blue Rider (2024) and the monographic display on Mari Katayama. Upcoming exhibitions include Global Pictorialism opening in December 2025.
        Her writing has been published in exhibition catalogues including Life Between Islands: Caribbean-British Art 1950s-Now (2021), Expressionists: Kandinsky, Münter and The Blue Rider (2024) and the inaugural Tate Dialogues Expressionists Companion book (2024). In Spring 2025, a book on Georgia O’Keeffe will be published.
        Prior to joining Tate, Genevieve worked at the Victoria & Albert Museum London. She has held roles at galleries in the UK and abroad such as New Art Centre (UK), Sophie Lalonde Art Gallery (Botswana) and The Stanley & Audrey Burton Gallery (UK). Genevieve graduated from the University of Leeds with a bachelor’s degree in Art History and Fine Art and holds a master’s degree in Contemporary Art Theory from Goldsmiths, University of London. She specialises in feminist art practices and the relationship between the body, protest and art.